SHEPHERD NDUDZO

Shepherd Ndudzo b1978 Seke Botswana grew up in Zimbabwe where his father Barnabus had established himself as a well-known sculptor. Ndudzo attributes his proficiency in carving to the guidance of his father. He expertly transforms ironwood (Olea capensis), marble, and granite into sculptures with a refined, silken finish. Notably, ironwood can reach an age of 3,000 years and is so dense that it sinks in water; its successful carving requires exceptional skill. 

Utilising his advanced technique, Ndudzo shapes ancient, dense ironwood—overcoming its substantial weight and solidity—to create works that evoke powerful, romantic imagery. Ironwood’s rich, dark brown tones complemented by the delicate veining of rose quartz marble, produce a visual interplay of softness and transience in the more romantic imagery. In the depiction of migrants in boats, a different atmosphere of hardship is invoked. 

Through sculpture, Ndudzo engages with contemporary social issues. A limited series of his works metaphorically allude to the plight of migrants who risk their safety in pursuit of improved living conditions, serving as poignant commentaries on societal indifference toward marginalized groups. 

 Ndudzo has participated in numerous international cultural symposiums. He was awarded the sculpture prize at the 2012 Beijing Biennial and has been invited to teach sculpture courses at St. Anselm College in New Hampshire, Massachusetts. His works are featured in many private collections.